David Kassan | "Remnant" - Abend Gallery
David Kassan | "Remnant" - Abend Gallery

David Kassan | "Remnant"

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Artist: David Kassan

Title: Remnant

Image size: 16 in H x 12 in W (40.64 x 30.48 cm)

Image size with border: 18 in H x 14 W (45.72 x 35.56 cm)

Medium: Archival ink on 100% cotton rag watercolor paper

Edition: 100

Markings: Signed and numbered by the artist

Released: 2016

Framed: Unframed

Shipping:

Please allow up to 10 days for a print to ship. Unframed prints will be shipped in a tube. If you would like your order shipped quicker, please let us know and we'll do our best to ship as fast as possible.

About David:

Raw, poignant and profoundly honest, David Jon Kassan’s work aesthetically captures humanity in its true form. As an artist, Kassan acts as an empathetic intermediary between the subject he portrays and the viewer. More than simply replicating his subjects Kassan seeks to understand them. He seeks to capture the essence of those he paints, imbuing them with their own voice. They communicate with the viewer interpersonally and we see them through our own eyes. Our gaze transcends the picture plane and permeates deep into the subject’s psyche. We are moved by Kassan’s depictions, captivated by powerfully expressive hands, pensive faces, and flesh that appears warm to touch. Kassan’s portraits pulsate with the lives of his sitters – the weighty streams-of-consciousness of past experiences, feeling and introspection. This is what reality means to Kassan – preserving the realness of nuanced emotion and expression emanating

from the people he paints. Kassan’s technical mastery of oil paint combined with adept draftsmanship enables him to fluently represent what he sees. This is evident in the stunning flesh tones Kassan achieves. Transparent layers of oil paint are built up, forming an intricate lattice of veins, blood and skin. Through this light enters and is reflected back, infusing the subject with veridical luminosity. We can also sense movement and life beneath the undulating creases and folds of clothing. It is the artist’s intent to control the medium of oil paint so that it is not part of the viewer to subject equation. Kassan facilitates an interface between subject and viewer with which he is conscious not to interfere. The technical aspect of his work is thus a means to an end; an end rooted in the viewer’s experience. We find inherent contradictions in Kassan’s work as it oscillates between representation and transformation, reality and abstraction.

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